Read Mind on Movies review of Three Billboards Outside Ebbing, Missouri. After months have passed without a culprit in her daughter’s murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town's revered chief of police. When his second-in-command Officer Dixon (Sam Rockwell), an immature mother’s boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing's law enforcement is only exacerbated.
R: November 22nd, 2017 |
R: 121 minutes |
R: R
Three Billboards Outside Ebbing, Missouri was everything you could want and more in a dark comedy.
Frances McDormand returns in a role only she can play so well – a sharp-tongued mother who wants
answers. Her daughter had been raped and murdered seven months ago and the police department is
no closer to finding answers than when it happened. McDormand sees to speeding this process up by
purchasing the three billboards on the way into town and to call out the police force and the captain
particularly, played by Woody Harrelson. This opens the floodgates for anarchy to break out throughout
the town.
Three Billboards has everything you could want in a dark comedy/crime drama. There’s witty humor
and tough scenes, making it impossible to decide what characters you like. Sam Rockwell has an
amazing performance as a tough cop who can’t keep his head straight – turning too quickly to violence.
The characters take matters into their own hands, from beating each other up to burning down the
police station, and you can’t help but chuckle along the way.
Frances McDormand commands the screen throughout the movie, threatening and insulting everyone
that crosses her path to finding answers and relieving the deep-seeded guilt she has for the loss of her
daughter. The rest of the cast is phenomenal as well with Lucas Hedges on the big screen again as her
depressed son stuck trying to decide if he accepts his mother’s mission or is embarrassed by it and Peter
Dinklage, the “town midget” who’s just a hopeless romantic following McDormand around whenever
possible. Harrelson and Rockwell shine as well, with Harrelson as the deputy chief at the center of the
billboards, who turns out to be terminally ill and was just trying to enjoy the shortened rest of his life
and Rockwell as the character you love to hate – an alcoholic cop living at home with his mother, riddled
with so much self-hatred that the violence he radiates makes you want to feel sorry for him, but also
hate him. My biggest complaint was with the casting of Abbie Cornish (Limitless) as Harrelson’s wife.
She carries a subtle accent and is noticeably younger than Harrelson, so instead of focusing on the few,
heartfelt scenes they shared, I spent most of those scenes finding it unbelievable that this young,
beautiful, well-educated, possibly foreign woman would ever end up down in a small town in Missouri
married to a police chief.
McDonagh really pushes the limits of comedy in this movie – daring you to laugh at some of the
offensive humor, while looking around to make sure others are laughing too. This movie delivers
emotional punches and great one-liners while tackling real-world issues, so if you’re sensitive to violence
and issues like racism and sexism, then this movie is not for you. Otherwise, get to the theaters and see
Frances McDormand in her best role since Fargo.
Rating: 4 out of 5
Lauren (Contributor ) is born and raised in South Jersey. When she isn’t yelling at Philly sports teams on the TV, she enjoys seeing the latest action films and true crime documentaries.
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